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In shifting my work from plinth to wall I consider the frame not just as support, but as an integral architectural contribution to the composition—anchoring the work while expanding its spatial language. The juxtaposition of hand-blown glass—organic, vibrant, and fluid—with the structural presence of metal framed mounts, creates a compelling tension between fragility and permanence, chaos and control. While the work directs the viewer’s gaze, it also invites the opportunity for personal interpretation. It marks a shift in my practice, where this evolution in concept is both a continuation and a departure.
Images: Pippy Mount
